Komplette Handlung und Informationen zu Samurai Princess. In einer fiktiven Welt, in der Samurai mit technischen Mitteln ausgestattet sind. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Samurai Princess - Devil Princess (OT: Samurai purinsesu: Gedô-hime | Japan, Schnittbericht mit Bildern: Keine Jugendfreigabe vs UK DVD von Samurai Princess - Devil Princess () ▻ Mehr als weitere.
Samurai Princesshzssdn.com - Kaufen Sie Samurai Princess günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Samurai Princess ist ein japanischer Actionfilm mit Splatter-Einlagen aus dem Jahr Regie führte Kengo Kaji. Der Low-Budget-Film feierte seine Weltpremiere am Mai im Rahmen des zehnjährigen Jubiläums des Japan-Filmfest Hamburg. Die. Schnittbericht mit Bildern: Keine Jugendfreigabe vs UK DVD von Samurai Princess - Devil Princess () ▻ Mehr als weitere.
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Alle Samurai Princess zum 15. - StatistikenDank des integrierten Bildschirms ist die kompakte Spielekonsole mit ihren zwei abnehmbaren Joy Controllern reisetauglich.
Ratings: 3. Edit Translation English. Score: 3. Add Cast. Mihiro Kocho Butterfly. Kataoka Asuka Support Role.
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Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Aino Kishi Gekko Asuka Kataoka Renjyo Mao Shiina Mikaduki Miki Hirase Mangetsu Sarasa Tani Himawari Yukari Tateishi Kogiku Rui Nanase Koume Omu Taketomi Enter your email and we will send you a link to reset your password.
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You will be redirected to the Homepage in 10 sec. Our tech geniuses are now working on solving this issue. In the first place, the nation with which we have had to do here surpasses in goodness any of the nations lately discovered.
I really think that among barbarous nations there can be none that has more natural goodness than the Japanese.
They are of a kindly disposition, not at all given to cheating, wonderfully desirous of honour and rank.
Honour with them is placed above everything else. There are a great many poor among them, but poverty is not a disgrace to any one.
There is one thing among them of which I hardly know whether it is practised anywhere among Christians. The nobles, however poor they may be, receive the same honour from the rest as if they were rich.
First, a man whose profession is the use of arms should think and then act upon not only his own fame, but also that of his descendants.
He should not scandalize his name forever by holding his one and only life too dear One's main purpose in throwing away his life is to do so either for the sake of the Emperor or in some great undertaking of a military general.
It is that exactly that will be the great fame of one's descendants. In , Imagawa Sadayo wrote a letter of admonishment to his brother stressing the importance of duty to one's master.
Imagawa was admired for his balance of military and administrative skills during his lifetime, and his writings became widespread. It is forbidden to forget the great debt of kindness one owes to his master and ancestors and thereby make light of the virtues of loyalty and filial piety It is forbidden that one should There is a primary need to distinguish loyalty from disloyalty and to establish rewards and punishments.
Similarly, the feudal lord Takeda Nobushige — stated: "In matters both great and small, one should not turn his back on his master's commands One should not ask for gifts or enfiefments from the master No matter how unreasonably the master may treat a man, he should not feel disgruntled An underling does not pass judgments on a superior.
Nobushige's brother Takeda Shingen — also made similar observations: "One who was born in the house of a warrior, regardless of his rank or class, first acquaints himself with a man of military feats and achievements in loyalty Everyone knows that if a man doesn't hold filial piety toward his own parents he would also neglect his duties toward his lord.
Such a neglect means a disloyalty toward humanity. Therefore such a man doesn't deserve to be called 'samurai'. The feudal lord Asakura Yoshikage — wrote: "In the fief of the Asakura, one should not determine hereditary chief retainers.
A man should be assigned according to his ability and loyalty. By his civility, "all were willing to sacrifice their lives for him and become his allies.
He commanded most of Japan's major clans during the invasion of Korea. In a handbook he addressed to "all samurai, regardless of rank", he told his followers that a warrior's only duty in life was to "grasp the long and the short swords and to die".
He also ordered his followers to put forth great effort in studying the military classics, especially those related to loyalty and filial piety. He is best known for his quote:  "If a man does not investigate into the matter of Bushido daily, it will be difficult for him to die a brave and manly death.
Thus it is essential to engrave this business of the warrior into one's mind well. He stated that it was shameful for any man to have not risked his life at least once in the line of duty, regardless of his rank.
Nabeshima's sayings were passed down to his son and grandson and became the basis for Tsunetomo Yamamoto 's Hagakure. He is best known for his saying "The way of the samurai is in desperateness.
Ten men or more cannot kill such a man. Torii Mototada — was a feudal lord in the service of Tokugawa Ieyasu. On the eve of the battle of Sekigahara , he volunteered to remain behind in the doomed Fushimi Castle while his lord advanced to the east.
Torii and Tokugawa both agreed that the castle was indefensible. In an act of loyalty to his lord, Torii chose to remain behind, pledging that he and his men would fight to the finish.
As was custom, Torii vowed that he would not be taken alive. In a dramatic last stand, the garrison of 2, men held out against overwhelming odds for ten days against the massive army of Ishida Mitsunari's 40, warriors.
In a moving last statement to his son Tadamasa, he wrote: . It goes without saying that to sacrifice one's life for the sake of his master is an unchanging principle.
That I should be able to go ahead of all the other warriors of this country and lay down my life for the sake of my master's benevolence is an honor to my family and has been my most fervent desire for many years.
It is said that both men cried when they parted ways, because they knew they would never see each other again. Torii's father and grandfather had served the Tokugawa before him, and his own brother had already been killed in battle.
Torii's actions changed the course of Japanese history. Ieyasu Tokugawa successfully raised an army and won at Sekigahara.
The translator of Hagakure , William Scott Wilson , observed examples of warrior emphasis on death in clans other than Yamamoto's: "he Takeda Shingen was a strict disciplinarian as a warrior, and there is an exemplary story in the Hagakure relating his execution of two brawlers, not because they had fought, but because they had not fought to the death".
The rival of Takeda Shingen — was Uesugi Kenshin — , a legendary Sengoku warlord well-versed in the Chinese military classics and who advocated the "way of the warrior as death".
Japanese historian Daisetz Teitaro Suzuki describes Uesugi's beliefs as: "Those who are reluctant to give up their lives and embrace death are not true warriors Go to the battlefield firmly confident of victory, and you will come home with no wounds whatever.
Engage in combat fully determined to die and you will be alive; wish to survive in the battle and you will surely meet death. When you leave the house determined not to see it again you will come home safely; when you have any thought of returning you will not return.
You may not be in the wrong to think that the world is always subject to change, but the warrior must not entertain this way of thinking, for his fate is always determined.
Families such as the Imagawa were influential in the development of warrior ethics and were widely quoted by other lords during their lifetime.
Historian H. Paul Varley notes the description of Japan given by Jesuit leader St. Francis Xavier : "There is no nation in the world which fears death less.
He also observed: "The Japanese are much braver and more warlike than the people of China, Korea, Ternate and all of the other nations around the Philippines.
In December , Francis was in Malacca Malaysia waiting to return to Goa India when he met a low-ranked samurai named Anjiro possibly spelled "Yajiro".
Anjiro was not an intellectual, but he impressed Xavier because he took careful notes of everything he said in church.
Xavier made the decision to go to Japan in part because this low-ranking samurai convinced him in Portuguese that the Japanese people were highly educated and eager to learn.
They were hard workers and respectful of authority. In their laws and customs they were led by reason, and, should the Christian faith convince them of its truth, they would accept it en masse.
By the 12th century, upper-class samurai were highly literate because of the general introduction of Confucianism from China during the 7th to 9th centuries and in response to their perceived need to deal with the imperial court, who had a monopoly on culture and literacy for most of the Heian period.
As a result, they aspired to the more cultured abilities of the nobility. Examples such as Taira Tadanori a samurai who appears in the Heike Monogatari demonstrate that warriors idealized the arts and aspired to become skilled in them.
Tadanori was famous for his skill with the pen and the sword or the "bun and the bu", the harmony of fighting and learning.
By the time of the Edo period, Japan had a higher literacy comparable to that in central Europe.
The number of men who actually achieved the ideal and lived their lives by it was high. The Heike Monogatari makes reference to the educated poet-swordsman ideal in its mention of Taira no Tadanori's death: .
In his book "Ideals of the Samurai" translator William Scott Wilson states: "The warriors in the Heike Monogatari served as models for the educated warriors of later generations, and the ideals depicted by them were not assumed to be beyond reach.
Rather, these ideals were vigorously pursued in the upper echelons of warrior society and recommended as the proper form of the Japanese man of arms.
With the Heike Monogatari, the image of the Japanese warrior in literature came to its full maturity. Plenty of warrior writings document this ideal from the 13th century onward.
Most warriors aspired to or followed this ideal otherwise there would have been no cohesion in the samurai armies.
As aristocrats for centuries, samurai developed their own cultures that influenced Japanese culture as a whole.
The culture associated with the samurai such as the tea ceremony , monochrome ink painting, rock gardens and poetry was adopted by warrior patrons throughout the centuries — These practices were adapted from the Chinese arts.
Zen monks introduced them to Japan and they were allowed to flourish due to the interest of powerful warrior elites.
Another Ashikaga patron of the arts was Yoshimasa. His cultural advisor, the Zen monk Zeami, introduced the tea ceremony to him. Previously, tea had been used primarily for Buddhist monks to stay awake during meditation.
In general, samurai, aristocrats, and priests had a very high literacy rate in kanji. Recent studies have shown that literacy in kanji among other groups in society was somewhat higher than previously understood.
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